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“Thinking is more powerful than many people realise. It is what we think, after all, that shapes our lives and our world. You have to do something as well, of course, but it always starts with the thinking.” Andrew Norriss

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Andrew Norriss writes engaging stories with a light touch of humour, about ordinary children who find themselves in extraordinary situations, and make you think what if…?
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Children’s TV series:  Matt’s Million, Bernard’s Watch, Aquila & Woof!

TV Sitcoms

The Brittas Empire    Chance in a Million    The Labours of Erica    Ffizz

 

 

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‘Sounds a bit serious’ by Andrew Norriss

A fascinating, and moving, exploration of what is, and should be, deemed suitable in children’s fiction by children’s author Andrew Norriss.

Posted on Waterstones’ Blog 11th April 2016 by Andrew Norriss

A couple of weeks back I found myself in the main hall of a large secondary school watching two hundred Year 7’s file in to listen to me talk. One cheery student broke away from his mates to come over to say hello (I always admire the ones that can do that) and then asked what I was going to talk about. I told him I would be talking about how I came to write my latest book, Jessica’s Ghost, and a bit about its themes of depression and suicide. ‘Oh,’ he said, as his smile faded. ‘Sounds a bit serious.’

And indeed it is.

If I had known, when I started writing Jessica’s Ghost, that depression and suicide were going to be two of its themes, I would almost certainly have abandoned it. I had set out to write a light-hearted ghost story about someone who was dead, and was trying to sort out what she was supposed to do next. I presumed it was going to be a comedy, because that’s what I do. I write comedy. Light comedy. With a lot of nice people and happy endings.

The nice people and the happy endings are still there, but the suicide and the depression sort of muscled their way in with a determination that would not be denied. I worried, of course, whether these were themes that were suitable in a story for young people, and I’m still not a hundred per cent sure that they are, but it’s a good book and… at what age does one start talking safely about these things?

The Head Teacher of a girls’ secondary school laughed out loud when I asked her if the twelve year old audience for my talk would even know what depression was. Far too many, she assured me, would know exactly what I was talking about – and the government statistics support that. Apparently one in ten of 12-17 year olds will suffer from clinical depression (that means a depression lasting longer than a month) and if you include the people whose depression is just as real but less severe, the proportion is considerably higher. Maybe, like sex education, it’s better for children to be armed with a bit of knowledge on the subject before they’re hit by its problems rather than after.

I suffered from bouts of depression from the age of about 10 until comparatively recently, and one of the weird things about it, as I told my audience of twelve year olds that day, is that although you think it has a rational, external cause, it really doesn’t. At the time my depressions were particularly bad, I had no health problems, was happily married, with two wonderful children, and a hugely enjoyable career and yet… the bouts of gloom kept getting worse. The medical term for this is ‘endogenous depression’. It literally means ‘depression without a cause’.

There’s a brilliant description by Alan Garner (author of The Owl Service and The Weirdstone of Brisingamen) of how, at the height of his fame and success, he came home one day from working on a film, and fell into a depression so deep that he wound up lying on the kitchen settle, face to the wall, almost too miserable even to speak, for two years. I’ll say that again. For two years. I remember, when I read that, how enormously helpful it was to know that what I was experiencing (fortunately on a much less debilitating scale) could happen to someone as intelligent and talented as Alan Garner. And, I discovered, to a good many others.

In fact, one of the most useful things to know about depression is simply that there is a lot of it about, and a story is not a bad way to get this across. It was C S Lewis who noted that the most powerful thing a piece of writing can do is cause the reader to say ‘Oh, I thought that was just me!’ and to help them realise that what they feel is part of a more general condition. To discover that you are not alone, and that others have been through this particular valley and made it out the other side is, apart from anything else, deeply comforting.

So, although this is a topic that, particularly when talking to twelve year olds, needs to be raised with the greatest caution, and although one needs to tread lightly and warily… I think, on the whole, that the subject is worth raising, despite the risks. One of the things I did during my talk, was to ask, very much on the spur of the moment, if any of the two hundred students I was addressing had any personal experience of depression – either in themselves or with someone they knew. If they had, I said, could they raise a hand? Nothing too public. Just a little gesture…

Over half of them, put a hand up.

So, yes, it is a bit serious But it’s important, too.

 

Top 10 guardian angels in children’s books

Andrew Norriss writes about favourite ‘Guardian Angels’ in children’s books.
First published in the Guardian online 21 April 2016

From PG Wodehouse and CS Lewis to Anne Fine and Ali Sparkes, authors have always had a soft spot for characters that offer a helping hand to their heroes. Andrew Norriss picks his favourites

Aslan: a guardian angel? Here shown in a scene from The Chronicles of Narnia: The Voyage of the Dawn Treader.

I’ve always been a fan of stories with guardian angels in them. I don’t mean angels with wings, like Clarence in This Wonderful Life – although I like those as well – I mean stories where the hero is helped on his or her journey by someone who turns up, frequently out of the blue, with just the right resources and knowledge to help them sort out whatever problem they are facing. They are, in literary terms, the Helping Hand of a benevolent universe.

It’s a device which has become less fashionable in our more secular times. Fewer people still believe in a benevolent universe – there is, after all, so much alarming evidence to the contrary – and we prefer our heroes to prove they can win through on their own resources. Child heroes these days need to be independent and self-empowered.

I’m not sure when or how I came to believe that the universe is, despite all appearances, friendly. But I do. And it’s why, in my own stories, the solution to a problem is often provided by some source beyond the ingenuity and clever thinking of the hero. He or she will certainly do their best, but the solution to the trickiest bit of the puzzle will come from a chance remark, or a bit of help and advice from an unlikely guardian angel type character. As if a benevolent universe knew exactly what was needed, and was offering a Helping Hand.

In my most recent book, Jessica’s Ghost, it is Jessica herself who, despite being dead and barely a teenager, unwittingly turns out to be a guardian angel for the other characters in the story. She is the force from beyond the purely causal, rational world, who, with the occasional quiet suggestion of an alternative possible course of action, changes the lives of everyone around.

You may not agree that that is how things work in real life, but it is certainly how they ought to work…

1. The Railway Children by E Nesbit

The Old Gentleman in this wonderful story is the archetypal example of a guardian angel at work. The children start by merely waving at him, as he passes in the train each morning, but he is the character they later call on to help with the stranded Russian writer, who provides money in hard times and, in the end, obtains their father’s release from prison. The children all play their part but the decisive help comes from outside…

2. Wintersmith by Terry Pratchett

Terry Pratchett always knew there was more going on in the world than we could see with the purely physical eye. His books are stuffed with an awareness of the deep forces at work in our world (along with a healthy distrust of the lunacies of organised religion) and Granny Weatherwax is probably my favourite of his many guardian angels. You know, when she turns up with her heavy boots and ferocious glare to lend a hand to Tiffany Aching, that things are going to get properly sorted…

3. The Amazing Mr Blunden by Antonia Barber

Mr Blunden follows all the best traditions of a guardian angel. Clearly human, but somehow not fully from the physical realm, he knows things. He knows what’s going to happen and knows what our hero children should do as each step of the story unfolds. Not that he ever forces anyone to do anything, of course. He just asks that they do as he suggests, and when they do… One of my favourite books.

4. Right Ho, Jeeves! by PG Wodehouse

One of the joys of reading the Jeeves and Wooster stories, is that whatever terrible mess Bertie Wooster might have landed in, you know that his butler, Jeeves, will, without any apparent effort, quietly sort the whole thing out before the end of the story. It’s that trust – that all will, in the end, be well – that makes stories with guardian angels such a comforting read.

5. A Dog Called Homeless by Sarah Lean

The shelves of recent publications are not exactly filled with stories where problems are resolved by mysterious outside forces, which was one reason why reading this book was such a surprise. Cally, in this story, has plenty of problems but it was the idea that she is still protected and watched over by the mother who recently died that qualifies it for a place on the list of books with guardian angels. That, and the fact that it is an utterly delightful read.

6. The Angel of Nitshill Road by Anne Fine

This is, quite simply, one of the best books ever written. The guardian angel – the heroine of the story, the one who changes life for everyone around her in the primary school at Nitshill Road – is Celeste who is somehow imbued with the ability to know exactly the best and most powerful thing to do in any circumstance. She is also one of the funniest, cleverest and somehow most believable characters ever. Utterly brilliant.

7. The Sword in the Stone by TH White

This is the first volume of the quartet written by TH White on the Arthurian legend and incomparably funnier and deeper than the amiable Disney movie. If you’re going to have a guardian angel watching over your early years and growing up, Merlin the magician is not a bad choice.

8. The Magician’s Nephew by CS Lewis

Does Aslan really count as a guardian angel? Or is he rather more senior than that? Either way, he’s a pretty reliable guide to navigating through life, and I absolutely couldn’t leave the first of the Narnia books off the list. Aslan can show you how best to cope with any problem – even stuff like accidentally dragging a cruel queen from a different universe into Narnia.

9. Goodnight Mister Tom by Michelle Magorian

One of the many wonderful things about this book is that it’s not a simple matter of Mister Tom acting as the guardian angel for poor, downtrodden Willie Beech. You could equally argue that it is the old man who is “saved” by the arrival of young Willie. Ultimately, all guardian angel stories are about healing, and this is one of the best.

10. Car-Jacked by Ali Sparkes

I may be cheating a bit with this one, but I didn’t want all the books on the list to come from the previous century, and it’s a very good story. Jack Mattingly, plunged into an unexpected crisis, is guided by a voice in his head called SAS Guy. And that’s where some of the best guardian angels are to be found, of course. Deep in our own minds.

#vomitscript

Written for and first published by Books for Keeps December 2015

 #vomitscript!

Andrew Norriss

I heard someone use the phrase ‘a vomit script’ recently. She was a television writer and, when asked how her new project was going, replied that she’d only got as far as ‘a vomit script’ but was pleased with what had come up. What she meant, I gathered, was that she had sat down, with only the vaguest idea of what she was going to write, and let whatever came into her head spew out onto the page. Later, of course, she would go back and write it properly, but she reckoned that all sorts of stuff came up spontaneously in that way, that would emerge in no other.

It is not how I write myself. Or how most writers work. In my days as an A level history teacher, I told my students (as I had been told myself) that before you launched into an essay, it was essential to have a plan. I assumed this applied to all forms of writing. Even a novel needs a plan. Trollope might only take a day or two to plan one of his tomes, while P G Wodehouse might take several months, but we all have to have a plan.

It came as quite a surprise when I first met a writer who didn’t. Astonishingly, he really did just sit down and start writing, trusting that something in his unconscious would map things out and lead his story to a satisfactory resolution. Even more astonishing, it seemed to work, and I was intrigued enough to want to try it myself.

I’d had an idea for a ghost story. I thought it might be a nice twist to start from the ghost’s point of view instead of the person who sees one, and the picture I had in my head was of a girl (I called her Jessica), who discovers that she’s dead (she has no idea how she died and nor did I) wandering around in a world where no one can see her. That’s all I knew when I sat down and started writing. I had no other characters, no story arc, no plan… I was going to write just whatever came up.

The first thing that came up was that she met a boy about her own age who was able to see her. The boy was Jessica's Ghostmostly interested in fashion and dress making (goodness knows where that came from) but he seemed a decent enough lad and he got on rather well with Jessica… For a while, my story explored how it might be fun to have a friend who was a ghost, and then a second character turned up who could see Jessica and, a few chapters later, a third. I still had no idea where all this might be going when – and I can remember the exact moment – like a bomb going off in my head, I suddenly knew how Jessica had died.

She had committed suicide.

And in the same instant I knew that, I also knew what was going to happen in the rest of the story, including how it was going to end, and – and this was the really weird bit – it suddenly made sense of all the stuff that had come before. It fitted. Almost like I had had a story arc planned out beforehand. There was also, for some reason, no choice. That was how Jessica had died. There was no debate, no exploring of other avenues or looking at other possibilities… because there weren’t any. Jessica had killed herself and I could either go with that or abandon the story.

For several weeks, abandoning it was my preferred option. I’m a writer for children for goodness sake and most of my books have ‘Andrew Norriss has a wonderfully light comic touch’ emblazoned on the front. A quote from a particularly nice review I got some time in the last century. What on earth was I doing with a story about suicide? Who would want to give a story like this to their innocent off spring? What young person would want to read it? Was there any point in pressing on?

I did press on, but it was only when the vomit draft was finally finished that I was able to see that suicide is not really what Jessica’s Ghost is about. It acknowledges something we all know – that life can sometimes be an unbearably painful business – but the real emphasis is on the things that, despite this, make the game of life worth playing. Friendship, kindness, laughter, love, healing… Precisely the things, I was delighted to see, that were picked up in the review the book was given in Books for Keeps. I’d like to think that Jessica’s story is a reminder that, however dark life gets, you never really know what’s around the corner, what can change, or who will appear with a light to help you tread safely into the unknown.

The sort of things, in fact, that I’m always trying to remember myself.

Mind you, next book I write, I’m not typing a word without a definite plan.

The winner of the 2015 Costa Children’s Book Award will be announced on Monday 4th January 2016.

Jessica’s Ghost, David Fickling Books, 978-1910200339, £10.99 hbk

Aquila, Puffin, 978-0141308951, £5.99 pbk

Publisher’s Weekly Best Books of 2015

Delighted to see Friends for Life on this prestigious list!

Waking Brain Cells

Publisher’s Weekly has released their list of the best books for 2015. These include books for preschoolers through young adults. Here are their picks:

PICTURE BOOKS

The Day the Crayons Came HomeThe Dog That Nino Didn't HaveFinding Winnie: The True Story of the World's Most Famous Bear

The Day the Crayons Came Home by Drew Daywalt, illustrated by Oliver Jeffers

The Dog That Nino Didn’t Have by Edward van de Vendel, illustrated by Anton Van Hertbruggen

Finding Winnie: The True Story of the World’s Most Famous Bear by Lindsay Mattick, illustrated by Sophie Blackall

Flutter and Hum / Aleteo y Zumbido: Animal Poems / Poemas de AnimalesHomeThe King and the Sea

Flutter & Hum: Animal Poems by Julie Paschkis

Home by Carson Ellis

The King and the Sea by Heinz Janisch, illustrated by Wolf Erlbruch

Last Stop on Market StreetLenny & LucyLeo: A Ghost Story

Last Stop on Market Street by Matt de la Pena, illustrated by Christian Robinson

Lenny & Lucy by Philip C. Stead, illustrated by Erin E. Stead

Leo: A Ghost Story by Mac Barnett, illustrated by Christian Robinson

The Night WorldThe Only ChildThe Princess and the Pony

The Night World by Mordicai Gerstein

The Only Child by Guojing

The Princess and the…

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Was Gordon Wellesley Brittas a 20th Century Don Quixote?

Was Gordon Wellesley Brittas a 20th century Don Quixote? Brilliant article and really funny and clever video compilation illustrating the possibility. I’m not sure that Andrew Norriss and Richard Fegen were aware of the idea when they were writing the series, but it certainly rings true here, and is poignant…

Divine Varod

CK12l2PWUAE0Iwl“There is either the maddest wise man or the wisest mad man in the world”

For many, many years I’ve been a fan of the story of “Don Quixote” the “Man from La Mancha” ever since I heard the songs from the 1964 musical performed on a TV show in the late 1980’s. Getting older I understood the song lyrics true meaning and became gripped by the story itself. The story written by Miguel de Cervantes between 1605 and 1615 was both satire and tragedy rolled into one. The sad tale of a man valiantly trying to do good but failing every time, unaware others see him as a joke. Oblivious of being mocked and despised even when it is done to his face.

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To Plan or not to Plan…

Andrew Norriss Guest Blog for Young Writers on Monday 9th March 2015

To Plan or not to Plan…

The actress Sarah Miles has a story of how she wanted to find out what her husband actually did when he disappeared off to his study for hours each day. He was Robert Bolt (world famous screenwriter) and she knew he was busy ‘writing’ but… what did that involve exactly?

So she got a ladder, climbed up to the window of his room on the first floor, and peered in. There he was, sitting at the table with his typewriter, and she watched as he typed for a bit, then stopped, pulled the paper out of the machine, screwed it up and threw it in the bin. He put in fresh paper, typed a bit… then took it out and threw it away. She stayed there half an hour and that was what he did. Again, and again.

I could have told her that’s what she’d see. Because that’s how I spend most of my day. Except I have a computer and a delete button instead of paper and a bin. It’s how all writers work. They write stuff, look at it, throw it away, and then write it again. And again. And again…

It always makes me laugh, when I see a ‘writer’ in some Hollywood movie sit down, type the words ‘Chapter One’ and just start bashing away until they’ve done 500 pages which they send round to a grateful publisher. I mean… that’s not how it works! A book has to be constructed. Before you start, you need a story arc, you need to know who your characters are, you need to know how your main theme will build to a final crisis, you need… you need a plan!

At least, that’s what I thought.

It was only when I started meeting other writers that I discovered there were some – not many, but some – who did no planning at all. They had an idea and, just like in the movies, they sat down and wrote, blindly trusting that their intuition would lead them through the narrative to a satisfying conclusion.

Listening to them talk, I was intrigued enough to think that it might be worth trying it myself, just to see what happened. I had had this idea about a girl – I called her Jessica – slowly realising that the reason everyone is ignoring her is that she’s dead. I had no idea how she’d died or what was going to happen to her, but… what would happen if, instead of working out a plan, I just started writing?

So I did. I sat down each day and pretty much wrote whatever came into my head. No planning, no story arc, no worrying where this whole thing might be going…

And the weird thing was that it worked. Sort of. The story that came out is pretty much the one you can read in Jessica’s Ghost and… and I liked it. In fact, I thought it was rather good.

…The only trouble was, it was very badly written.

Which is why, if anyone had peered in through the window while I was working on the umpteenth draft of Jessica’s Ghost, they would have seen me, sitting at my computer, writing for bit, then deleting it, and then doing the same thing again.

And again.

And again.

***

Many thanks to Young Writers for originally hosting this piece as part of the Jessica’s Ghost Blog Tour. Do have a look at their brilliant website which has advice, resources, recommended books, author interviews and encouragement for writers of all ages, and teachers and parents too.

Edoardo, Edwin and Oswald…

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Edoardo, Edwin and Oswald…

EdwinOswald by Edoardo AlbertEdoardo-Albert1

I am a writer’s wife and one of the roles I have taken upon myself is to check online for any mentions of the writer, and that is how I discovered the wonderful writing of Edoardo Albert. I found Edoardo’s reviews of my writer’s books on Goodreads. They were so perceptive and beautifully written with wit, wisdom and originality. In particular my writer was astounded that Edoardo described exactly the way he writes (’with not a single spare word – achieved by boiling the word stew down until only the strongest broth remains’), and picked out the very essence of the story that he had wanted to convey. With delicious serendipity, by passing on our thanks and appreciation to Edoardo via Twitter, a connection was made and we were fortunate enough to discover Edwin and Oswald, Books 1 & 2 in The Northumbrian Thrones Series.

I have to admit to some trepidation when Edoardo generously sent us copies of Edwin and Oswald. We know many writers and I try to read their books, but mostly they are not the style of story or writing that I enjoy and so I keep quiet and have certainly never attempted to write a review. Imagine my relief and great delight when I started Edwin and loved it from the very first paragraph. I immediately felt at home and in safe hands. This was a writer I could trust; beautifully told stories that are so readable; the barest descriptions bringing alive another time and place; characters who feel so real. Without any emotional manipulation I cared about the lives of people from long ago and on occasion wept. Edoardo has the gift, as my writer does too, of writing without long descriptions and yet making pictures in my head. I don’t understand how they do it but it works. I admit to images from Game of Thrones appearing in my head when reading Oswald!

Edwin and Oswald are the best historical fiction; wonderful stories that give a complete view of life in those early times including religion, and the gradual change in beliefs and values. Christianity which has played such a large part in our history is subtly integrated as a natural part of people’s lives. I found it most interesting to read about its introduction and the effect it had on people’s lives and thinking. Oswald is such an interesting character as he wrestles with convention, family and tribal expectations, and the growing feeling that there might better way to live and rule. Beautifully done.

When I got to the end of Edwin in a very short time I was just so pleased to have Oswald to hand. Bernard Cornwall said Edwinleaves the reader wanting more’, and I would add so does Oswald! The only thing that could have made these books better is if there were more of them and I look forward to Oswiu, Book 3 in The Northumbrian Thrones Series in the future.

Edoardo Albert has a great gift for words and story telling that I could never begin to emulate
so enough of me,
go and read his books. They are a real treat. @thewriterswife

Buy the books

My review of Edwin

My review of Oswald

Goodreads Reviews of Edwin and Oswald

Edoardo Albert’s Website

Lion Hudson PLC

Anglo-Saxon and Viking Northumbria

Goodreads: Edoardo Albert’s reviews of Andrew Norriss’s books, works of art in themselves…

Jessica’s Ghost:So, let’s start a review of Andrew Norriss’s new book by talking about Alan Garner. Yes, that Alan Garner -‘
The Unluckiest Boy in the World: ‘Andrew Norriss is, in fact, The Unluckiest Author in the World. In any sane society a writer who consistently produces such unfailingly delightful books for children would be lauded and applauded, hailed…’
Ctrl-Z: ‘If, in the immortal words of Cher, I could turn back time, what would I do?’
Aquila: ‘Wonderful story. Two boys – united by friendship and a determination to pass through school entirely unnoticed -‘
Aquila 2: ‘Tom and Geoff’s adventures with Aquila, the Denebian escape pod they discovered in the first book, continue.’
The Portal  ‘I’ve now read six of Andrew Norriss’s books and I think I know what his work is about: every story I’ve read has been a drama of the good.’

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